Posts tagged high school
VMI 1.08: Like A Virgin transcript

HZ: Keith comes in buttoning his cuffs. And he hears Veronica saying:

VERONICA: Seriously, you should talk to him.
KEITH: Am I giving you the birds and the bees again, Wallace?

HZ: Spectacular!

JOY: Give him the birds and bees, Keith! 

HZ: Oh, wouldn't you love the birds and bees talk from Keith?

JOY: If I had to get it from somebody.

HZ: It'd scare you into never fucking a bee.

JOY: Or a bird.

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VMI 1.07: The Girl Next Door transcript

HZ: Logan, and Weevil are stuck in detention together, and Weevil rightly complains that he got zero in the test for talking, where even though it was Logan who was talking to Weevil, and it was Logan who insulted the teacher in front of everybody. And Weevil is really on about the injustice in this town - and rightly, I think.

JOY: Yes, the injustice is real. But if the injustice didn't exist, we might not get to watch Weevil and Logan start playing poker together and they just can't stop flirting with each other. 

HZ: It is beautiful. Thank goodness they're stuck in this detention unsupervised, and that they seem to have found an alliance so quickly. Unfortunately, the card game is short-lived because Mr. Daniels comes in scoops up the cards.

WEEVIL: Aw, come on, man! 
LOGAN: What the hell? We were playing a game here.
DANIELS: This is punishment, gentlemen, not party time. 
LOGAN: Well, that would explain the absence of balloon animals.

JOY: And gives them a full week of detention - and I'm so happy for them that he didn't confiscate the money in addition to the cards, because I feel like that could have easily happened.

HZ: That is a good point. I feel like Mr. Daniels isn't after their money in the way that Sheriff Lamb, say, would have been.

JOY: Yes, exactly. 

HZ: He just hates everything - but that includes financial gain from children.

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VMI 1.06: Return of the Kane transcript

JOY: No, alas. We plunge headlong from this into a really beautiful father-daughter scene where Keith and Veronica are doing their detective bit together.

HZ: Yeah, their detective a bit from when they were alive in the 1940s.

JOY: Yes, exactly.

VERONICA: Tough day?
KEITH: That ain’t the half of it. See, this dame walks in and you shoulda seen the getaway sticks on her. Says something’s hinky with her old man.

JOY: If you think I'm ever referring to my legs as anything other than ‘getaway sticks’ from here on out, you are sorely mistaken.

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VMI 1.05: You Think You Know Somebody transcript

HZ: They leave the diner. It's still dark. They're still bantering about girls and - oh shit. Where's the car? Where's the car?
JOY: Where is the car? The car is gone as hell. 
HZ: But what is amazing about this is that Logan says:

LOGAN: Well maybe it's like Brigadoon. If you come back in a hundred years, it'll be right back in this spot.

HZ: When did Logan watch the 1954 film or 1947 Broadway musical Brigadoon, about a Scottish village that only appears for one day every hundred years and the plot makes absolutely no sense at all? This seems like a deep cut.
JOY: That's what Brigadoon is about?
HZ: That's what Brigadoon is about. I would explain more but it's just too complicated. So yeah, where did Logan get that reference? Do you think you watched it with his grandma?
JOY: This is a mystery. This is yet another mystery of the show. 
HZ: And of Logan.
JOY: It doesn't really line up with his deal. 
HZ: He contains multitudes.

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VMI 1.04: The Wrath of Con transcript

JOY: Well, this episode begins in the way that I've always hoped and dreamed, with Veronica and Troy making out.
HZ: Outside the Mars front door, which I would have thought would be tricked out with bear traps and things that could detect Veronica kissing boys. 
JOY: Yeah, yeah, like heat sensors. Maybe Keith on the other side of the door with like a stethoscope. 
HZ: The heat sensor is showing exactly how much erection the boy has got. 
JOY: Oh my god!
HZ: Keith goes there! He's a details guy. 
JOY: That's true. 

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VMI 1.03: Meet John Smith transcript

JOY: It's really starting to feel like Duncan is a radio, and the dial is just a spin.

HZ: Yeah, he's free-associating. “Oh, bleachers, what’s the association I have with bleachers?” Duncan Kane putting on his one-man production of Grease.

JOY: I would actually like to see that more than I've seen anything else from Duncan, a one-man production of Grease starring Duncan Kane. Hell yeah, sign me up. 

HZ: You’re going to love his rendition of ‘Beauty school dropout’.

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VMI 1.02: Credit Where Credit's Due transcript

JOY: Here comes Sheriff Lamb. 
HZ: Wuh whoa. There's a newspaper story about a killer escape from the sheriff's cruiser. Whoops. What a blunder!
JOY: Oopsy Daisy! Old butter fingers.
HZ: There'll be another one along in a while. And so Keith is on form this morning because he's been warming up by razzing Veronica about her cap, so then he can give Lamb a good razzing and then Lamb absolutely biffs that volley of the razzing by being like:

SHERIFF LAMB: “You know what’s coming up? October 3rd. Are you doing anything special to mark the one year anniversary of Lilly Kane’s murder? Got it! Dress like a sheriff and crucify some poor, grieving father, just for old time’s sake, you know?”

HZ: Good one, dickhead.
JOY: Like, Lamb, God! If you just try!
HZ: Yeah, he's not got good chat.
JOY: No, no.
HZ: Imagine Lamb in a rap battle!
JOY: I refuse. 

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VMI 1.01: Pilot transcript

JOY: Have you ever been duct taped to a pole naked? I have not.

HZ: I haven't, and now you make me feel like my upbringing has been so sheltered.

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